Próximos lanzamientos en la Música

[Pipo 356]

WHO DO WE THINK WE ARE (LIMITED PURPLE VINYL)

Deep Purple

1LP, 140G PURPLE VINYL

• Release Date: 10/11/2019

Deep Purple’s 1973 album, featuring the single Woman From Tokyo.  Part of the Limited Purple Vinyl Series.

[Pipo 356]

COME TASTE THE BAND (LIMITED PURPLE VINYL)

Deep Purple

1LP, 140G PURPLE VINYL

• Release Date: 10/18/2019

Deep Purple’s 1975 album on limited edition purple vinyl

[Pipo 356]

MADE IN JAPAN (LIMITED PURPLE VINYL)

Deep Purple

2LP, 140G PURPLE VINYL

• Release Date: 10/18/2019

Deep Purple’s Classic Double Live Album, originally released in 1973.  Part of the Limited Purple Vinyl Series.

[ponkine 536]

[ponkine 536]

The Hot Rats Sessions box set celebrates the 50th anniversary of one of the greatest albums in the history of recorded music. The original 1969 Frank Zappa album was the first to be recorded on a prototype 16-Track Tape Machine. Self described as a "Movie For Your Ears,” it was the first solo outing for the composer and the album that put FZ on the map as a guitar player. The recording sessions produced a wealth of material that ended up being sprinkled among multiple releases during FZ’s lifetime. This mammoth six disc collection documents and compiles every composition recorded during those days in July 1969, along with an abundance of rare mixes, Vault nuggets and complete basic tracks mixed from the original multi-track masters by Craig Parker Adams in 2019. Additional gems include images by original Hot Rats cover photographer, Andee Nathanson, session photos taken by Bill Gubbins, liner notes by Matt Groening and essays by Ian Underwood, Andee Nathanson and Vaultmeister Joe Travers. The box set also includes a Zappa Land board game in celebration of this release.


Disc 1

Piano Music (Section 1)

Piano Music (Section 3)

Peaches En Regalia (Prototype)

Peaches En Regalia (Section 1, In Session)

Peaches En Regalia (Section 1, Master Take)

Peaches Jam - Part 1

Peaches Jam - Part 2

Peaches En Regalia (Section 3, In Session)

Peaches En Regalia (Section 3, Master Take)

Arabesque (In Session)

Arabesque (Master Take)

Dame Margret's Son To Be A Bride (In Session)

 

Disc 2

It Must Be A Camel (Part 1, In Session)

It Must Be a Camel (Part 1, Master Take)

It Must Be a Camel (Intercut, In Session)

It Must Be a Camel (Intercut, Master Take)

Natasha (In Session)

Natasha (Master Take)

Bognor Regis (Unedited Master)

Willie The Pimp (In Session)

Willie The Pimp (Unedited Master Take)

Willie The Pimp (Guitar OD 1)

Willie The Pimp (Guitar OD 2)

 

Disc 3

Transition (Section 1, In Session)

Transition (Section 1, Master Take)

Transition (Section 2, Intercut, In Session)

Transition (Section 2, Intercut, Master Take)

Transition (Section 3, Intercut, In Session)

Transition (Section 3, Intercut, Master Take)

Lil’ Clanton Shuffle (Unedited Master)

Directly From My Heart To You (Unedited Master)

Another Waltz (Unedited Master)

 

Disc 4

Dame Margret’s Son To Be A Bride (Remake)

Son Of Mr. Green Genes (Take 1)

Son Of Mr. Green Genes (Master Take)

Big Legs (Unedited Master Take)

It Must Be a Camel (Percussion Tracks)

Arabesque (Guitar OD Mix)

Transition (Full Version)

Piano Music (Section 3, OD Version)

 

Disc 5

Peaches En Regalia (1987 Digital Re-Mix)

Willie The Pimp (1987 Digital Re-Mix)

Son Of Mr. Green Genes (1987 Digital Re-Mix)

Little Umbrellas (1987 Digital Re-Mix)

The Gumbo Variations (1987 Digital Re-Mix)

It Must Be A Camel (1987 Digital Re-Mix)

The Origin Of Hot Rats

Hot Rats Vintage Promotion Ad #1

Peaches En Regalia (1969 Mono Single Master)

Hot Rats Vintage Promotion Ad #2

Little Umbrellas (1969 Mono Single Master)

Lil' Clanton Shuffle (1972 Whitney Studios Mix)

 

Disc 6

Little Umbrellas (Cucamonga Version)

Little Umbrellas (1969 Mix Outtake)

It Must Be A Camel (1969 Mix Outtake)

Son Of Mr. Green Genes (1969 Mix Outtake)

More Of The Story Of Willie The Pimp

Willie The Pimp (Vocal Tracks)

Willie The Pimp (1969 Quick Mix)

Dame Margret's Son To Be A Bride (1969 Quick Mix)

Hot Rats Vintage Promotion Ad #3

Bognor Regis (1970 Record Plant Mix)

Peaches En Regalia (1969 Rhythm Track Mix)

Son Of Mr. Green Genes (1969 Rhythm Track Mix)

Little Umbrellas (1969 Rhythm Track Mix)

Arabesque (Guitar Tracks)

Hot Rats Vintage Promotion Ad #4

 

 

[ciudadano 125]

On 5/9/2019 at 13:35, ponkine dijo:

https://burningshed.com/king-crimson_itcotck-50th-anniversary_3cd_blu-ray?page=1

Full track list:


3 CDs / 1 BR edition:

Blu-Ray NTSC, zones ABC, playable on all BD players & drives, includes

DTS-HD MA 5.1 & LPCM 5.1 24/96
DTS-HD MA Stereo & LPCM 24/96

2019 5.1 mixes

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Additional track
6 I Talk to the Wind (duo version)

Mixed by Steven Wilson

+
Original Master Edition

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Produced by King Crimson, mastered by Simon Heyworth

+
Alternate Album

1 21st Century Schizoid Man
2 I Talk to the Wind
3 I Talk to the Wind
4 Epitaph
5 Epitaph
6 Moonchild
7 The Court of the Crimson King

(1 Morgan studios June 1969 take with Greg Lake vocal overdubs from Wessex August 1969 & Mel Collins & Jakko Jakszyk August 2019 overdubs
2 Alternate 2019 mix
3 Duo version, full length master, 2019 mix
4 Vocals isolated/highlighted, 2019 mix
5 Alt take - 2019 mix
6 Take 1, 2019 mix
7 Morgan studios, June 1969 take, 2019 mix)

Mixed by Steven Wilson except 1, 4 mixed by David Singleton

+
Additional material

1 Wind Session
2 21st Century Schizoid Man
3 I Talk to the Wind
4 Epitaph
5 Moonchild
6 The Court of the Crimson King
7 21st Century Schizoid Man
8 The Court of the Crimson King (part 1)
9 The Court of the Crimson King (part 2)

(1 2019 stereo mix
2 Trio version, 2019 mix
3 Studio run through, 2019 mix
4 Backing track, 2019 mix
5 Album edit, 2009 mix
6 Take 3, 2009 mix
7 Morgan studios take, June 1969
8, 9 Single a/b side, 1969)

Mixed by Steven Wilson 1 – 6, Mixed by King Crimson 7 – 9

+
2019 Instrumental mixes

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Mixed by Steven Wilson

+
Video: 21csm extract Hyde Park 1969

-------------------------------------------------------------------------------


CD1 2019 stereo mixes & instrumental mixes

1. 21st Century Schizoid Man
2. I Talk to the Wind
3. Epitaph
4. Moonchild
5. The Court of the Crimson King
6. 21st Century Schizoid Man
7. I Talk to the Wind
8. Epitaph
9. Moonchild (edit)
10. The Court of the Crimson King

1 - 10 mixed by Steven Wilson


CD2 Alternate Album, expanded edition

1 Wind Session
2 21st Century Schizoid Man
3 I Talk to the Wind
4 I Talk to the Wind
5 Epitaph
6 Epitaph
7 Moonchild
8 The Court of the Crimson King
9 21st Century Schizoid Man

(1 Wind Session, 2019 stereo mix
2 Morgan studios June 1969 take with Greg Lake vox overdubs from Wessex August 1969 & Mel Collins/Jakko Jakszyk August 2019 overdubs
3 Alternate 2019 mix
4 Duo version, full length master, 2019 mix
5 Vocals isolated/highlighted, 2019 mix
6 Alt take - 2019 mix
7 Take 1, 2019 mix
8 Morgan studios, June 1969 take, 2019 mix
9 Trio version, 2019 mix)

Mixed by Steven Wilson except 2, 5 mixed by David Singleton


CD3 Original Master Edition, expanded

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King
6 21st Century Schizoid Man
7 I Talk to the Wind
8 Epitaph
9 The Court of the Crimson King (single a side)
10 The Court of the Crimson King (single b side)

(1 to 5 Original master edition produced by King Crimson
Mastered by Simon Heyworth
6 Morgan studios instrumental take, 1969, produced by King Crimson
7 studio run through, 2019 mix by Steven Wilson
8 Backing track, 2019 mix by Steven Wilson
9/10 Original single master)


---------------

NOTE: "The Alternate album appears, quite deliberately, in slightly different track-listings on the Blu-Ray & CD (& on the accompanying double vinyl set). The aim on the Blu-Ray was to provide a fully sequenced listen that closely resembled the original album running order. This was extended on the CD, gathering many of the new mixes on one disc & revised again to make for a satisfying listen on vinyl."

 

No entiendo cómo le dan tanto bombo a la etapa pre-Belew, con sus temas eternos y fomes, dando vueltas sobre la misma idea y estructura. 

[ciudadano 125]

hace 6 horas, ponkine dijo:

The Hot Rats Sessions box set celebrates the 50th anniversary of one of the greatest albums in the history of recorded music. The original 1969 Frank Zappa album was the first to be recorded on a prototype 16-Track Tape Machine. Self described as a "Movie For Your Ears,” it was the first solo outing for the composer and the album that put FZ on the map as a guitar player. The recording sessions produced a wealth of material that ended up being sprinkled among multiple releases during FZ’s lifetime. This mammoth six disc collection documents and compiles every composition recorded during those days in July 1969, along with an abundance of rare mixes, Vault nuggets and complete basic tracks mixed from the original multi-track masters by Craig Parker Adams in 2019. Additional gems include images by original Hot Rats cover photographer, Andee Nathanson, session photos taken by Bill Gubbins, liner notes by Matt Groening and essays by Ian Underwood, Andee Nathanson and Vaultmeister Joe Travers. The box set also includes a Zappa Land board game in celebration of this release.


Disc 1

Piano Music (Section 1)

Piano Music (Section 3)

Peaches En Regalia (Prototype)

Peaches En Regalia (Section 1, In Session)

Peaches En Regalia (Section 1, Master Take)

Peaches Jam - Part 1

Peaches Jam - Part 2

Peaches En Regalia (Section 3, In Session)

Peaches En Regalia (Section 3, Master Take)

Arabesque (In Session)

Arabesque (Master Take)

Dame Margret's Son To Be A Bride (In Session)

 

Disc 2

It Must Be A Camel (Part 1, In Session)

It Must Be a Camel (Part 1, Master Take)

It Must Be a Camel (Intercut, In Session)

It Must Be a Camel (Intercut, Master Take)

Natasha (In Session)

Natasha (Master Take)

Bognor Regis (Unedited Master)

Willie The Pimp (In Session)

Willie The Pimp (Unedited Master Take)

Willie The Pimp (Guitar OD 1)

Willie The Pimp (Guitar OD 2)

 

Disc 3

Transition (Section 1, In Session)

Transition (Section 1, Master Take)

Transition (Section 2, Intercut, In Session)

Transition (Section 2, Intercut, Master Take)

Transition (Section 3, Intercut, In Session)

Transition (Section 3, Intercut, Master Take)

Lil’ Clanton Shuffle (Unedited Master)

Directly From My Heart To You (Unedited Master)

Another Waltz (Unedited Master)

 

Disc 4

Dame Margret’s Son To Be A Bride (Remake)

Son Of Mr. Green Genes (Take 1)

Son Of Mr. Green Genes (Master Take)

Big Legs (Unedited Master Take)

It Must Be a Camel (Percussion Tracks)

Arabesque (Guitar OD Mix)

Transition (Full Version)

Piano Music (Section 3, OD Version)

 

Disc 5

Peaches En Regalia (1987 Digital Re-Mix)

Willie The Pimp (1987 Digital Re-Mix)

Son Of Mr. Green Genes (1987 Digital Re-Mix)

Little Umbrellas (1987 Digital Re-Mix)

The Gumbo Variations (1987 Digital Re-Mix)

It Must Be A Camel (1987 Digital Re-Mix)

The Origin Of Hot Rats

Hot Rats Vintage Promotion Ad #1

Peaches En Regalia (1969 Mono Single Master)

Hot Rats Vintage Promotion Ad #2

Little Umbrellas (1969 Mono Single Master)

Lil' Clanton Shuffle (1972 Whitney Studios Mix)

 

Disc 6

Little Umbrellas (Cucamonga Version)

Little Umbrellas (1969 Mix Outtake)

It Must Be A Camel (1969 Mix Outtake)

Son Of Mr. Green Genes (1969 Mix Outtake)

More Of The Story Of Willie The Pimp

Willie The Pimp (Vocal Tracks)

Willie The Pimp (1969 Quick Mix)

Dame Margret's Son To Be A Bride (1969 Quick Mix)

Hot Rats Vintage Promotion Ad #3

Bognor Regis (1970 Record Plant Mix)

Peaches En Regalia (1969 Rhythm Track Mix)

Son Of Mr. Green Genes (1969 Rhythm Track Mix)

Little Umbrellas (1969 Rhythm Track Mix)

Arabesque (Guitar Tracks)

Hot Rats Vintage Promotion Ad #4

 

 

Gracias por el dato!!!!! Uno de mis top 5 de FZ.

[Pipo 356]

hace 2 horas, ciudadanovivanco dijo:

No entiendo cómo le dan tanto bombo a la etapa pre-Belew, con sus temas eternos y fomes, dando vueltas sobre la misma idea y estructura. 

El tipo que mencionas (que no conozco ni en pelea de perros), ingresó a la banda recién en 1981 cuando la historia y fama del grupo ya la habían contruido otros. Tu comentario es como decir que le ponen mucho color con la etapa de Gabriel en Genesis o Barrett en Pink Floyd u Ozzy en Black Sabbath, etc. Si no te gusta esa etapa, déjalo pasar. No había leído comentarios negativos en este excelente hilo de lo que se viene en edición de discos. 

[carloher 156]

No sé si ya lo habían publicado acá: Ya está disponible la preventa del nuevo disco de The Who. Detalles en su página web: https://www.thewho.com/

El primer single está disponible en sus servicios de streaming favoritos. Pongo el link a spotify:

 

Yo encargué la edición estándar en vinilo desde Amazon UK: https://www.amazon.co.uk/stores/page/66302979-3C04-45A4-84C2-6EE57D82C4DF?store_ref=SB_A012771822086GXM8F3OU&pf_rd_p=61123ba5-9314-4baa-bd6e-caa510bc4e08&hsa_cr_id=7990373640202&lp_slot=auto-sparkle-hsa-tetris&lp_asins=B07N7S9J4J,B07XLGMFJD,B07XVFMQJ7&lp_mat_key=the who&lp_query=the who&sb-ci-n=headline&sb-ci-v=‘WHO” - The new album is available to pre-order

[ponkine 536]

https://www.superdeluxeedition.com/news/the-beatles-the-singles-collection/

 

The Beatles / The Singles Collection

23 seven-inch singles in a box • Cut from original mono/stereo tapes

Apple Corps and Universal Music will issue The Singles Collection in November, a new Beatles box set that gathers all of their seven-inch vinyl single releases together in one box set.

The package gathers all 22 UK singles from the original era with their respective B-sides (or AA-side in the case of some). The exception to this is 1995’s ‘Free As A Bird’, which is the 23rd and final seven-inch included in this package, but becomes a double A-side with 1996’s Real Love. The original B-sides of those two Anthology-era singles – ‘Christmas Time (Is Here Again)’ and a live recording of ‘Baby’s In Black’ – are ignored). The EPs aren’t included in The Singles Collection, so no ‘Magical Mystery Tour’ or ‘Long Tall Sally’, for example.

Every single here reached number one in the UK charts, except ‘Love Me Do’ (#17), ‘Please Please Me’ (#2) ‘Strawberry Fields Forever’/’Penny Lane’ (#2) ‘Something’ (#4), ‘Let It Be’ (#2), Free As A Bird (#2) and Real Love (#4).

To make things interesting these seven-inch singles will use various international cover art, so the ‘Love Me Do’ sleeve is from the USA, ‘She Loves You’ from Germany and ‘Ticket to Ride’ is from Sweden (‘Free As A Bird’ had the same artwork everywhere).

Each seven-inch single is pressed on heavyweight vinyl (incorrectly described as “180g” by the label) and these are “newly cut for vinyl from their original mono and stereo master tapes” by Sean Magee at Abbey Road Studios.

NEWS

The Beatles / The Singles Collection

October 16, 2019 by Paul Sinclairtags: 1960s, The Beatles

23 seven-inch singles in a box • Cut from original mono/stereo tapes

Apple Corps and Universal Music will issue The Singles Collection in November, a new Beatles box set that gathers all of their seven-inch vinyl single releases together in one box set.

The package gathers all 22 UK singles from the original era with their respective B-sides (or AA-side in the case of some). The exception to this is 1995’s ‘Free As A Bird’, which is the 23rd and final seven-inch included in this package, but becomes a double A-side with 1996’s Real Love. The original B-sides of those two Anthology-era singles – ‘Christmas Time (Is Here Again)’ and a live recording of ‘Baby’s In Black’ – are ignored). The EPs aren’t included in The Singles Collection, so no ‘Magical Mystery Tour’ or ‘Long Tall Sally’, for example.

Every single here reached number one in the UK charts, except ‘Love Me Do’ (#17), ‘Please Please Me’ (#2) ‘Strawberry Fields Forever’/’Penny Lane’ (#2) ‘Something’ (#4), ‘Let It Be’ (#2), Free As A Bird (#2) and Real Love (#4).

To make things interesting these seven-inch singles will use various international cover art, so the ‘Love Me Do’ sleeve is from the USA, ‘She Loves You’ from Germany and ‘Ticket to Ride’ is from Sweden (‘Free As A Bird’ had the same artwork everywhere).

Each seven-inch single is pressed on heavyweight vinyl (incorrectly described as “180g” by the label) and these are “newly cut for vinyl from their original mono and stereo master tapes” by Sean Magee at Abbey Road Studios.

The front cover of this box set is consistent with previous packages like the 2014 The Beatles in Mono vinyl box and this comes with a 40-page booklet with notes by Kevin Howlett.

Sadly, in this rather vinyl obsessed age, this singles box set isn’t being issued on CD. I doubt it was even considered but a set with Japanese style 3″ CD singles would have been cool.

The Singles Collection will be released on 22 November 2019. This is described as a ‘limited edition’ box although we don’t know how limited it is.

The Singles Collection seven-inch singles box

1962 [SLEEVE ART: U.S.]
1 A: Love Me Do
2 B: P. S. I Love You

1963 [SLEEVE ART: CHILE]
1 A: I Want To Hold Your Hand
2 B: This Boy

1963 [SLEEVE ART: GREECE]
1 A: She Loves You
2 I’ll Get You

1963 [SLEEVE ART: ITALY]
1 A: Please Please Me
2 B: Ask Me Why

1963 [SLEEVE ART: NORWAY]
1 A: From Me To You
2 B: Thank You Girl

1964 [SLEEVE ART: AUSTRIA]
1 A: Can’t Buy Me Love
2 B: You Can’t Do That

1964 [SLEEVE ART: HOLLAND]
1 A: A Hard Day’s Night
2 B: Things We Said Today

1964 [SLEEVE ART: SWEDEN]
1 A: I Feel Fine
2 B: She’s A Woman
1965 [DO

DOUBLE A-SIDE / SLEEVE ART: FRANCE]
1 A: We Can Work It Out
2 A: Day Tripper

1965 [SLEEVE ART: BELGIUM]
1 A: Help!
2 B: I’m Down

1965 [SLEEVE ART: SPAIN]
1 A: Ticket To Ride
2 B: Yes It Is

1966 [DOUBLE A-SIDE / SLEEVE ART: ARGENTINA]
1 A: Eleanor Rigby
2 A: Yellow Submarine

1966 [SLEEVE ART: TURKEY]
1 A: Paperback Writer
2 B: Rain

1967 [DOUBLE A-SIDE / SLEEVE ART: AUSTRALIA]
1 A: Strawberry Fields Forever
2 A: Penny Lane

1967 [SLEEVE ART: MEXICO]
1 A: Hello, Goodbye
2 B: I Am The Walrus

1967 [SLEEVE ART: WEST GERMANY]
1 A: All You Need Is Love
2 B: Baby, You’re A Rich Man

1968 [SLEEVE ART: JAPAN]
1 A: Lady Madonna
2 B: The Inner Light

1968 [SLEEVE ART: SOUTH AFRICA]
1 A: Hey Jude
2 B: Revolution

1969 [SLEEVE ART: DENMARK]
1 A: Get Back
2 B: Don’t Let Me Down

1969 [SLEEVE ART: ISRAEL]
1 A: Something
2 B: Come Together

1969 [SLEEVE ART: PORTUGAL]
1 A: The Ballad Of John And Yoko
2 B: Old Brown Shoe

1970 [SLEEVE ART: UK]
1 A: Let It Be
2 B: You Know My Name (Look Up The Number)

1995 / 1996 [EXCLUSIVE DOUBLE A-SIDE SINGLE / SLEEVE ART: WORLDWIDE]
1 A: Free As A Bird [1995]
2 A: Real Love [1996]

[Thingol 86]

Chet Baker’s Riverside Records albums collected in 5xLP box set

Featuring a bonus record with outtakes and alternate cuts.

Legendary jazz musician Chet Baker’s Riverside Records albums are being reissued in a new box set this November via Craft Records.

Listen next: Journey through iconic trumpeter Chet Baker’s music

After leaving the army in 1951, Baker moved to LA and began his music career. In 1952, he released ‘My Funny Valentine’, which saw Baker achieve mainstream success.

A mainstay of the West Coast jazz scene during the ’50s and ’60s, Baker went on to release albums with Pacific Jazz and Contemporary Records. During the course of his career he produced over 150 solo and live albums.

The Legendary Riverside Albums includes (Chet Baker Sing) It Could Happen To You, Chet Baker In New York, Chet, and Chet Baker Plays The Best Of Lerner And Loewe. It also features a bonus LP with choice outtakes and alternates from Baker’s Riverside sessions, a photo booklet and liner notes by jazz historian Dough Ramsey.

Head here for more info ahead of its 15th of November release and check out the tracklist below.

Tracklist:

Chet Baker Sings – It Could Happen to you

Side A
1. Do It The Hard Way
2. I’m Old Fashioned
3. You’re Driving Me Crazy
4. My Heart Stood Still

Side B

1. The More I See You
2. Everything Happens to Me
3. Dancing on the Ceiling
4. How Long Has This Been Going On?
5. Old Devil Moon

In New York

Side A

1. Fair Weather
2. Polka Dots and Moonbeams
3. Hotel 49

Side B

1. Solar
2. Blue Thoughts
3. When Lights Are Low

Chet

Side A

1. Alone Together
2. How High the Moon
3. It Never Entered My Mind
4. ’Tis Autumn

Side B

1. If You Could See Me Now
2. September Song
3. You’d Be So Nice to Come Home To
4. Time on My Hands
5. You and the Night and the Music

Chet Baker Plays The Best Of Lerner And Loewe

Side A

1. I’ve Grown Accustomed to your Face
2. I Could Have Danced All Night
3. The Heather on the Hill
4. On the Street Where You Live

Side B

1. Almost Like Being in Love
2. Thank Heaven for Little Girls
3. I Talk to the Trees
4. Show Me

Bonus LP: Outtakes and Alternates

Side A

1. While My Lady Sleeps (Take 10)
2. You Make Me Feel So Young (Take 5)
3. The More I See You (Take 8, Alternate)
4. Everything Happens to Me (Take 2, Alternate)

Side B

1. Soft Winds
2. Early Morning Mood

 

 

 

[elSebaacuna 63]

Chet Baker’s Riverside Records albums collected in 5xLP box set

Featuring a bonus record with outtakes and alternate cuts.

Legendary jazz musician Chet Baker’s Riverside Records albums are being reissued in a new box set this November via Craft Records.

Listen next: Journey through iconic trumpeter Chet Baker’s music

After leaving the army in 1951, Baker moved to LA and began his music career. In 1952, he released ‘My Funny Valentine’, which saw Baker achieve mainstream success.

A mainstay of the West Coast jazz scene during the ’50s and ’60s, Baker went on to release albums with Pacific Jazz and Contemporary Records. During the course of his career he produced over 150 solo and live albums.

The Legendary Riverside Albums includes (Chet Baker Sing) It Could Happen To You, Chet Baker In New York, Chet, and Chet Baker Plays The Best Of Lerner And Loewe. It also features a bonus LP with choice outtakes and alternates from Baker’s Riverside sessions, a photo booklet and liner notes by jazz historian Dough Ramsey.

Head here for more info ahead of its 15th of November release and check out the tracklist below.

Tracklist:

Chet Baker Sings – It Could Happen to you

Side A
1. Do It The Hard Way
2. I’m Old Fashioned
3. You’re Driving Me Crazy
4. My Heart Stood Still

Side B

1. The More I See You
2. Everything Happens to Me
3. Dancing on the Ceiling
4. How Long Has This Been Going On?
5. Old Devil Moon

In New York

Side A

1. Fair Weather
2. Polka Dots and Moonbeams
3. Hotel 49

Side B

1. Solar
2. Blue Thoughts
3. When Lights Are Low

Chet

Side A

1. Alone Together
2. How High the Moon
3. It Never Entered My Mind
4. ’Tis Autumn

Side B

1. If You Could See Me Now
2. September Song
3. You’d Be So Nice to Come Home To
4. Time on My Hands
5. You and the Night and the Music

Chet Baker Plays The Best Of Lerner And Loewe

Side A

1. I’ve Grown Accustomed to your Face
2. I Could Have Danced All Night
3. The Heather on the Hill
4. On the Street Where You Live

Side B

1. Almost Like Being in Love
2. Thank Heaven for Little Girls
3. I Talk to the Trees
4. Show Me

Bonus LP: Outtakes and Alternates

Side A

1. While My Lady Sleeps (Take 10)
2. You Make Me Feel So Young (Take 5)
3. The More I See You (Take 8, Alternate)
4. Everything Happens to Me (Take 2, Alternate)

Side B

1. Soft Winds
2. Early Morning Mood

 
 
 

Csm


Enviado desde mi iPhone utilizando Tapatalk

[ponkine 536]

 

 

[ponkine 536]

https://www.loudersound.com/news/rick-wakeman-to-release-official-bootleg-series-box-set?fbclid=IwAR33Bzeph3Gb3q4IYWvmUzyjSDVy_OuONT_yberKV2R8oeKgjpbq5MVvaZ0

Rick Wakeman is to release a 10CD box set later this year, capturing his live work recorded between 1974 and 2014.

Box Of Boots: Set Of 10 Live CDs: Official Bootleg Series will launch on December 2 and is limited to 1000 copies, with each package containing a signed and numbered certificate.

A statement on the release reads: “This is a response to these concerts being heavily bootlegged throughout the years and continuing the trend of Frank Zappa, Bob Dylan, Neil Young and Pearl Jam, Rick has decided to make stand against the bootleggers and supply official bootlegs.

“These have been cleaned up in the studio, packaged in a great way at a fraction of the price saving fans from buying them off the black market.”

Find a list of the live shows contained in the box set below.

Wakeman is currently on his Grumpy Old Rock Star Tour across North America and will return to the UK in December for his Grumpy Old Christmas Show Tour.

 

Rick Wakeman: Box Of Boots contents

Boston, USA, 1974
Live At Boston Music Hall, Boston, MA - October 5, 1974

Osaka, Japan, 1975
Journey To The Centre Of The Earth, Koseinekin Hall, Osaka, Japan - January 21, 1975

Vienna, Austria, 1976
Vienna Ensemble 1976, Live In Vienna, Kurhalle, Oberlaa

Preston, UK, 1981
Live at Guildhall Preston - November 16, 1981

Sheffield, UK, 1981
Live at the City Hall Sheffield, UK - November 21, 1981

Daphne Du Maurier Festival, UK, 2001
January 17, 2001

Tokyo, Japan, 2008
Solo performance in Tokyo, 2008

Rick Wakeman and the English Rock Ensemble Cropredy, UK 2010
Live at Cropredy Festival, Oxfordshire, UK, 2010

Tokyo, Japan, 2014 International Forum Hall
Tokyo - July 1, 2014

Osaka, Japan, 2014
Sankei Hall - June 30, 2014

[ponkine 536]

"Recorded for no budget in a Stoke Newington bedroom in 1998 by a down on his luck singer-songwriter and self-released on a kitchen sink label, White Ladder slowly (very, very slowly) found an audience. It took a year to creep into the lower reaches of the British charts, then worked its way all the way up to number one. White Ladder eventually spent 3 years (from May 2000 to March 2003) in the UK top 100, spawning classic hit singles ‘Babylon’, ‘Please Forgive Me’ and ‘Sail Away’. It went on to sell over 7 million copies worldwide. It remains in the top 30 best-selling British albums of all time and the best-selling album ever in Ireland (a nation who know a good song when they hear it).

Celebrating its 20th anniversary with an expanded edition, it is interesting to consider the extraordinary aftermath of White Ladder. Its success spawned a new wave of singer-songwriters in an acoustic boom that resonates to this day, a soul-baring lineage that can be directly traced from David Gray to the all-conquering Ed Sheeran. Indeed, Ed is a fan, whose passionate live version of ‘This Year’s Love’ can bring tears to the eye. Fellow world beating British superstar Adele is also an admirer, citing ‘This Year’s Love’ as one of her all-time favourite break-up songs.

In the wake of White Ladder, every major record company began signing and developing guitar wielding troubadours. David Gray was followed into the UK charts by Damien Rice, KT Tunstall, Katie Melua, James Blunt, James Morrison, James Bay, Paolo Nutini, and, ultimately, Ed Sheeran and a second wave of guitar boys including George Ezra, Tom Walker, Tom Grennan and Lewis Capaldi. In the US (where White Ladder sold 2 million copies), Jack Johnson, John Mayer and Jazon Mraz were amongst singer-songwriters whose careers received a significant commercial boost. White Ladder was a music industry game changer.

And yet White Ladder remains apart from everything that followed. While the record company model involved putting young guitarist-singers into the studio with teams of established pop writers and producers, White Ladder was the work of a lone artist plumbing the depths of his soul.

White Ladder was born of difficult circumstances. David Gray had been struggling on the margins for a decade, a lonely figure with an acoustic guitar swimming against the tide of Britpop, grunge, hip hop and electro. With three albums to his name, he found himself advertised third on the bill to beer and a barbecue. “Futility was so thick on the ground it was utterly soul destroying.” He came close to quitting. But instead, he asked himself some difficult questions: “Can you make a better record? Can you write a better song? The decision was to open up and give it everything I’ve got. The open heartedness that White Ladder has at its very core is in direct relation to the sense of bitterness and defensiveness that prevailed upon me. White Ladder is the negative flipped into positive.”

He wrote and recorded in a tiny terraced house on Lordship Road in Stoke Newington. He had to record during the day so as not to disturb the neighbours. “The windows were open because it was hot, and you can hear traffic noises very clearly. It’s the ultimate bedroom recording, actually made in my bedroom.” Lacking big studio facilities, David experimented with drum machines and electronic elements, creating a blend of folktronica that has since become a familiar part of the musical landscape, aided by drummer Craig McClune and engineer Iestyn Polson.

David released White Ladder in Ireland on his own IHT label in November 1998. “We cobbled it together, got a distributor, pressed 5,000 copies and hoped for the best.” Released in the UK in March 1999, it reached number 69 in the charts. American jam rock superstar Dave Matthews was such a fan he personally licensed the album for his ATO label in the US. Meanwhile East West records, a division of Warner, took the reins, releasing ‘Babylon’ as a single in June 2000.

After that, the floodgates opened. ‘Babylon’ became one of the hits of the summer, White Ladder became a multi-million global phenomenon, and David Gray jumped from playing pubs to theatres to arenas in the space of a few frenetic months. “It was nuts. We were just laughing all the time. It was like a slow explosion, with moments of detonation that took it to another level. It was perfect in a way you could never design.”

White Ladder has become part of the fabric of the world. “A friend was in the Himalayas and ‘Sail Away’ was playing at base camp. I’ve heard tell of my songs coming out of radios and stereos in the strangest places, from Tel Aviv to Timbuktu. We made the best record we could, and by some miracle it managed to charm its way across the threshold. It didn’t just open the door a crack, it kicked the ****ing thing down. We came straight through. That was astonishing. You can make a great record but it is exceedingly rare that it will go on and become something bigger than itself. It was charged with all kinds of energies, the right thing in the right place at the right time, in this openhearted moment.”

White Ladder caught something of the mood at the end of the century and the start of a new one, the comedown from the pomp of the nineties mixed with nervous hope for the future. Gray’s music is both intimate and broad, intensely personal yet capable of speaking to the masses. “I don’t write behind some sort of cloak. I’m the opposite of an enigma, I am just heart on sleeve. I think your strength as a creative person is your vulnerability. If you're not venturing anything you’re nowhere, there has to be something fragile and breakable being handed over. That was White Ladder. It is almost all I can say about it.”

Gray has released 11 complex, ambitious, heartfelt albums across his career. Some have been big commercial successes (2002’s A New Day At Midnight and 2005’s Life In Slow Motion were UK chart toppers), others have been more intimate and experimental. “It’s instinctive, you have to go where the music needs to go, otherwise the gleam, the sparkle will fall away.” All offer up songs of the highest quality, performed as if his life depends on them. Gray’s passionate, vocational approach has established an incredibly loyal audience prepared to follow him on every adventure.

“I've been happy after the event to get back to writing the music that I felt was in me and following my creative path. I don’t think the records I've made since have been worse or better. I just think what happened with White Ladder involved more than music. It was a sort of heart and soul moment of total surrender for everybody involved, for me and the audience. That was it. It doesn't get any better than that.”

Twenty years on, White Ladder remains an album of great depth and startling beauty, a superlative collection of emotional songs capturing a very special moment in time, as raw and immediate as when it was recorded."

This expanded, deluxe release features the iconic album newly mastered on 2 pieces of white vinyl plus previously unreleased and rare White Ladder -era B-sides and demos on 2 pieces of black vinyl. It also includes a digital download card for both albums. David Gray has also personally crafted a series of writings about his White Ladder experience, chronicling the people involved, and the stories behind some of the songs and most memorable shows. These writings are featured in a commemorative book alongside rare photography and housed in beautiful packaging that also features the lyrics to timeless hits such as “This Year’s Love,” “Babylon,” and “Sail Away.”

“What happened with White Ladder involved more than music. It was a sort of heart and soul moment of total surrender for everybody involved, for me and the audience. That was it. It doesn't get any better than that.” - David Gray

Tracklist:

LP Disc 1 & 2

Please Forgive Me

Babylon

My Oh My

We’re Not Right

Nightblindness

Silver Lining

White Ladder

This Year’s Love

Sail Away

Say Hello, Wave Goodbye

LP Disc 3 & 4

Lights Of London

Over My Head

Monday Morning

Tired Of Me

Roots Of Love

Walking In Circles

Through To Myself

Over My Head (demo)

What On Earth (demo)

Silver Lining (demo)

This Year’s Love (demo)

Please Forgive Me (demo)

 

 

[ponkine 536]

WILLIAM PATRICK CORGAN presents COTILLIONS: Part 1
Cotillions, the new double album from William Patrick Corgan, is available for streaming. Pre-order for the 1000 copies of the limited- edition deluxe vinyl (autographed, hand numbered, lyric booklet, 12x12 prints, and more) available at NOON CT through http://www.madamezuzus.com/

Standard vinyl and CD to follow on WPCcodex.com

 

 

[ponkine 536]

The much anticipated deluxe edition of Porcupine Tree's iconic 2002 album 'In Absentia' will be released on 21st February. Pre-order here: https://porcupinetree.lnk.to/inabsentiadlx

It's a 3CD/Blu-ray set featuring remastered stereo and 5.1 surround sound mixes, additional studio recordings, a disc of unreleased demos and a new feature length Lasse Hoile directed documentary, plus 100-page hardback book with exclusive content including photography by Lasse Hoile, Carl Glover (Aleph Studio), Richard Barbieri and John Blackford from the recording sessions, subsequent tour and more, extensive biographical liner notes and track-by-track commentary by Stephen Humphries, artwork drafts, and handwritten notes and lyrics.

————

In Absentia was Porcupine Tree’s seventh studio album, first released in 2002, the first in a run of three albums that for many represent the pinnacle of the band's artistic achievements. Not many albums can claim to have created a new genre, but with its fusion of metal, progressive rock, ambient textures, and acoustic singer-songwriter styled material, it became a blueprint for a generation of bands to come. It also represented a commercial breakthrough for the band, eventually going on to sell three times more than the band’s previous releases. In Absentia features many of Porcupine Tree’s most beloved songs, including Trains, The Sound of Muzak and Blackest Eyes. While not a formal concept album, many of the songs have common themes related to serial killers, youthful innocence gone wrong, and observations of the modern world, setting a template for many of songwriter Steven Wilson's future songs.

This deluxe version of In Absentia provides an unrivalled insight into a seminal album. The first CD features Steven Wilson's 2017 remaster, which has considerably less compression and limiting for a more dynamic listening experience.

The second CD includes all of the additional finished studio recordings the band made during the period. Collapse (intro), Drown With Me, Chloroform, and Meantime were all recorded during the album sessions in New York, while Futile and Orchidia come from the post-album promo-only Futile EP. Radio edits of Trains, Blackest Eyes and Strip the Soul are also included.

The third CD comprises over 70 minutes of demos recorded at Wilson's home studio during the two years leading up to recording the album. Many of the selections differ from the final versions, with additional sections, alternate lyrics, and different arrangements. Also included are demos of three songs that were not subsequently recorded by the band, all released here for the first time: Imogen Slaughter, Watching You Sleep, and Enough.

The Blu-ray features the new master of the original stereo mix, the 5.1 surround sound mix created in 2003 by legendary engineer Elliot Scheiner, plus the audio from the second CD, all in high resolution audio. It also boasts a new 109-minute feature length documentary film directed by Lasse Hoile, chronicling the making of the album with interviews and archive footage.

 

CD 1

 

1. Blackest Eyes (2017 Remaster) [04:24]

2. Trains (2017 Remaster) [05:55]

3. Lips Of Ashes (2017 Remaster) [04:39]

4. The Sound Of Muzak (2017 Remaster) [04:58]

5. Gravity Eyelids (2017 Remaster) [07:56]

6. Wedding Nails (2017 Remaster) [06:33]

7. Prodigal (2017 Remaster) [05:33]

8. .3 (2017 Remaster) [05:25]

9. The Creator Has A Mastertape (2017 Remaster) [05:14]

10. Heartattack In A Layby (2017 Remaster) [04:15]

11. Strip The Soul (2017 Remaster) [07:20]

12. Collapse The Light Into Earth (2017 Remaster) [05:49]

 

CD 2

 

1. Collapse Intro [01:45]

2. Drown With Me [05:21]

3. Orchidia [03:27]

4. Chloroform [07:14]

5. Futile [06:06]

6. Meantime [03:17]

7. Blackest Eyes (radio edit) [03:38]

8. Trains (radio edit) [03:52]

9. Strip The Soul (video edit) [03:35]

 

CD 3

 

1. Drown With Me (demo) [05:06]

2. Trains (demo) [06:05]

3. Imogen Slaughter (demo) [02:38]

4. Watching You Sleep (demo) [03:44]

5. The Creator Has A Mastertape (demo) [06:07]

6. Heartattack In A Layby (demo) [05:51]

7. Strip The Soul (demo) [15:19]

8. The Sound Of Muzak (demo) [05:32]

9. Gravity Eyelids (demo) [07:15]

10. Enough (demo) [03:45]

11. Wedding Nails (demo) [06:26]

12. Blackest Eyes (demo) [04:34]

 

Blu-ray

 

1. The Making Of In Absentia (documentary film) [49:45]

2. Blackest Eyes (2017 Remaster 5.1 mix) [04:26]

3. Trains (2017 Remaster 5.1 mix) [05:57]

4. Lips Of Ashes (2017 Remaster 5.1 mix) [04:40]

5. The Sound Of Muzak (2017 Remaster 5.1 mix) [04:59]

6. Gravity Eyelids (2017 Remaster 5.1 mix) [07:56]

7. Wedding Nails (2017 Remaster 5.1 mix) [06:33]

8. Prodigal (2017 Remaster 5.1 mix) [05:33]

9. .3 (2017 Remaster 5.1 mix) [05:26]

10. The Creator Has A Mastertape (2017 Remaster 5.1 mix) [05:21]

11. Heartattack In A Layby (2017 Remaster 5.1 mix) [04:15]

12. Strip The Soul (2017 Remaster 5.1 mix) [07:22]

13. Collapse The Light Into Earth (2017 Remaster 5.1 mix) [05:52]

14. Drown With Me (5.1 mix) [05:21]

15. Chloroform (5.1 mix) [07:14]

16. Futile (5.1 mix) [06:03]

 

[ciudadano 125]

On 10/10/2019 at 22:17, Samara dijo:

El tipo que mencionas (que no conozco ni en pelea de perros), ingresó a la banda recién en 1981 cuando la historia y fama del grupo ya la habían contruido otros. Tu comentario es como decir que le ponen mucho color con la etapa de Gabriel en Genesis o Barrett en Pink Floyd u Ozzy en Black Sabbath, etc. Si no te gusta esa etapa, déjalo pasar. No había leído comentarios negativos en este excelente hilo de lo que se viene en edición de discos. 

Decir que no conoces a Belew es como decir que no conoces a Brian Johnson, Phil Anselmo o Sammy Haggar. Por cierto, la etapa de Syd Barret y sobretodo la liderada por Roger Waters son las peores en cuanto a composición. Quién prefiere The Final Cut o Ummagumma sobre el Dark side of the Moon o el momentary lapse of reason? 

[Juanzuniga 1.070]

2 hours ago, ciudadanovivanco said:

Decir que no conoces a Belew es como decir que no conoces a Brian Johnson, Phil Anselmo o Sammy Haggar. Por cierto, la etapa de Syd Barret y sobretodo la liderada por Roger Waters son las peores en cuanto a composición. Quién prefiere The Final Cut o Ummagumma sobre el Dark side of the Moon o el momentary lapse of reason? 

Pucha, no quiero meterme en vuestra discusion; pero aquí hay un error, para el que a continuación dejo información adicional...

"Desde la partida del miembro fundador Barrett de la banda en 1968, la carga de la composición de las letras recayó, mayoritariamente, en Waters. Por tanto se le acredita como el compositor de las letras del álbum, haciendo The Dark Side of the Moon el primero de cinco álbumes consecutivos de Pink Floyd en acreditarlo exclusivamente como letrista."

[Pipo 356]

hace 18 horas, ciudadanovivanco dijo:

Decir que no conoces a Belew es como decir que no conoces a Brian Johnson, Phil Anselmo o Sammy Haggar. Por cierto, la etapa de Syd Barret y sobretodo la liderada por Roger Waters son las peores en cuanto a composición. Quién prefiere The Final Cut o Ummagumma sobre el Dark side of the Moon o el momentary lapse of reason? 

Lo que pasa que ya tengo mis años y prefiero las primeras etapas de los grupos que mencionas (aunque a Anselmo tampoco lo ubico). Brian Johnson nunca me gustó, Sammy tuvo la suerte de vocalizar muy buenas canciones. En cuanto a los Floyd, todo hasta el Animals.

En todo caso mi comentario era para no contaminar este hilo que es uno de los mejores del foro.

Editado November 29, 2019 at 19:09 por Pipo